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The following is a list of musical chords and simultaneities:

Code Chord type
Major Major chord
Minor Minor chord
Augmented Augmented chord
Diminished Diminished chord
Indeterminate Indeterminate chord
Predominant Predominant chord
Suspended Suspended chord
M3+d5 Major third, flat five
Just Just intonation
Bitonal Bitonal chord
Atonal Atonal chord
List of musical chords
Name Chord on C Sound # of p.c.-Forte # p.c. #s Quality
Augmented chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e gis>1

} } </score>

Template:Audio-nohelp 3-12 {0,4,8} Augmented
Augmented eleventh chord[1] <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g bes d fis>1

} } </score>

Template:Audio-nohelp 6-34 {0,4,7,X,2,6} Major
Augmented major seventh chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e gis b>1

} } </score>

Template:Audio-nohelp 4-19 {0,4,8,E} Augmented
Augmented seventh chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e gis bes>1

} } </score>

Template:Audio-nohelp 4-24 {0,4,8,X} Augmented
Augmented sixth chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e ais>1^\markup { "Italian" }

} } </score>
<score lang="lilypond"> { \override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e fis ais>1^\markup { "French"  }

} } </score>
<score lang="lilypond"> { \override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g ais>1^\markup { "German" }

} } </score>

3-8
4-25
4-27B
0 6 t
0 4 6 t
0 4 7 t
Predominant
Diminished chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c es ges>1

} } </score>

Template:Audio-nohelp 3-10 {0,3,6} Diminished
Diminished major seventh chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c es ges b>1

} } </score>

Template:Audio-nohelp 4-18 {0,3,6,E} Diminished
Diminished seventh chord (leading-tone and secondary chord) <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c es ges beses>1

} } </score>

Template:Audio-nohelp 4-28 {0,3,6,9} Diminished
Dominant <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g>2 <g' b d>

} } </score>

Template:Audio-nohelp 3-11 {0,4,7} Major
Dominant eleventh chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g bes d f>1

} } </score>

Template:Audio-nohelp 6-33 {0,4,7,X,2,5} Major
Dominant minor ninth <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g bes des>1

} } </score>

Template:Audio-nohelp 5-31 {0,4,7,X,1} Major
Dominant ninth <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g bes d>1

} } </score>

Template:Audio-nohelp 5-34 {0,4,7,X,2} Major
Dominant parallel <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c {

 \clef treble \time 4/4
 <g b d>2 <e g b>

} } </score>

Template:Audio-nohelp 3-11 {0,3,7} Minor
Dominant seventh chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g bes>1

} } </score>

Template:Audio-nohelp 4-27 {0,4,7,X} Major
Dominant seventh flat five chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e ges bes>1

} } </score>

Template:Audio-nohelp 4-25 {0,4,6,X} Diminished
Dominant seventh sharp nine / Hendrix chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g bes dis>1

} } </score>

Template:Audio-nohelp 5-32 0 4 7 t 3 Major
Dominant thirteenth chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g bes d f a>1

} } </score>

Template:Audio-nohelp 7-35 {0,4,7,X,2,5,9} Major
Dream chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c {

 \clef treble \time 4/4
 <g c! cis d>1

} } </score>

Template:Audio-nohelp 4-6 {0,5,6,7} Just
Elektra chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <e b' des f aes>1

} } </score>

Template:Audio-nohelp 5-32 {0,7,9,1,4} Bitonal
Farben chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' { \new PianoStaff <<

 \new Staff { \clef treble \time 4/4 <e a>1 } 
 \new Staff { \clef bass \time 4/4  <c, gis' b>1 }

>> } } </score>

Template:Audio-nohelp 5-z17 {0,8,E,4,9} Atonal
Half-diminished seventh chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c es ges bes>1

} } </score>

Template:Audio-nohelp 4-27 {0,3,6,X} Diminished
Harmonic seventh chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble 
 \time 4/4
 <c e g beseh c>1

} } </score>

Template:Audio-nohelp 4-27 {0,4,7,X} Major
Leading-tone triad <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g c>2 <d f b>

} } </score>

Template:Audio-nohelp 3-10 {0,3,6} Diminished
Lydian chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g b fis'>1

} } </score>

Template:Audio-nohelp 5-20 {0,4,7,E,6} Major
Magic chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <e f a bes d e g a>1

} } </score>

Template:Audio-nohelp 8 {0,1,5,6,X,0,3,5} Just
Major chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g>1

} } </score>

Template:Audio-nohelp 3-11 {0,4,7} Major
Major eleventh chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g b d f>1

} } </score>

Template:Audio-nohelp 6-z25 {0,4,7,E,2,5} Major
Major seventh chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g b>1

} } </score>

Template:Audio-nohelp 4-20 {0,4,7,E} Major
Major seventh sharp eleventh chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e gis b fis'>1

} } </score>

Template:Audio-nohelp 5-30 {0,4,8,E,6} Augmented
Major sixth chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g a>1

} } </score>

Template:Audio-nohelp 4-26 {0,4,7,9} Major
Major sixth ninth chord ("6 add 9",[2] Nine six,[3] 6/9) <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g a d>1

} } </score>

Template:Audio-nohelp 5-35 {0,4,7,9,2} Major
Major ninth chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g b d>1

} } </score>

Template:Audio-nohelp 5-27 {0,4,7,E,2} Major
Major thirteenth chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g b d fis a>1

} } </score>

Template:Audio-nohelp 7-35 {0,4,7,E,2,6,9} Major
Mediant <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g>2 <e g b>

} } </score>

Template:Audio-nohelp 3-11 {0,3,7} Minor
Minor chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c es g>1

} } </score>

Template:Audio-nohelp 3-11 0 3 7 Minor
Minor eleventh chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c es g bes d f>1

} } </score>

Template:Audio-nohelp 6-32 0 3 7 t 2 5 Minor
Minor major seventh chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c es g b>1

} } </score>

Template:Audio-nohelp 4-19 0 3 7 e Minor
Minor ninth chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c es g bes d>1

} } </score>

Template:Audio-nohelp 5-27 0 3 7 t 2 Minor
Minor seventh chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c es g bes>1

} } </score>

Template:Audio-nohelp 4-26 0 3 7 t Minor
Minor sixth chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c es g a>1

} } </score>

Template:Audio-nohelp 4-27 0 3 7 9 Minor
Minor sixth ninth chord (6/9) <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c es g a d>1

} } </score>

Template:Audio-nohelp 5-29 0 3 7 9 2 Minor
Minor thirteenth chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c es g bes d f a>1

} } </score>

Template:Audio-nohelp 7-35 0 3 7 t 2 5 9 Minor
Mu chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c d e g>1

} } </score>

Template:Audio-nohelp 4-22 0 2 4 7 Major
Mystic chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4 <c fis bes e a d>1

} } </score>

Template:Audio-nohelp 6-34 0 6 t 4 9 2 Atonal
Neapolitan chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <f aes des>1

} } </score>

Template:Audio-nohelp 3-11 1 5 8 Major
Ninth augmented fifth chord[2][4] <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e gis bes d>1

} } </score>

Template:Audio-nohelp 5-33 0 4 8 t 2 Augmented
Ninth flat fifth chord[2] <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e ges bes d>1

} } </score>

Template:Audio-nohelp 5-33 0 4 6 t 2 M3+d5
Northern lights chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <cis d! aes' c! es fis g! bes ces f! a!>1

} } </score>

Template:Audio-nohelp 11-1 1 2 8 0 3 6 7 t e 4 7 Atonal
"Ode-to-Napoleon" hexachord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c des e f gis a>1

} } </score>

Template:Audio-nohelp 6-20 0 1 4 5 8 9 Atonal
Petrushka chord <score override_midi="Petrushka chord Second Tableau.mid" lang="lilypond">
   \new PianoStaff <<
        \new Staff = "up" \relative c {
           \time 3/4
           s2.
         }
       \new Staff = "down" \relative c' {
           \time 3/4
           \voiceOne
           \repeat tremolo 12 {
                 {
                   \change Staff = "up"
                   \voiceTwo
                   <e g c>32
                 }
               {
                   \change Staff = "down"
                   \voiceOne
                   <cis fis ais>32
               }
           }
         }
   >>

</score>

Template:Audio-nohelp 6-30 0 1 4 6 7 t Bitonal
Power chord
P5
<score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c g' c>1

} } </score>

Template:Audio-nohelp 2-5 0 7 Indeterminate
Psalms chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f { \new PianoStaff <<

 \new Staff { \clef treble <g' e g b>8 } 
 \new Staff { \clef bass <e, g, b, g>8 }

>> } } </score>

Template:Audio-nohelp 3-11 0 3 7 Minor
Secondary dominant <score lang="lilypond"> {
  1. (set-global-staff-size 16)

\override Score.TimeSignature #'stencil = ##f

     \new PianoStaff <<
       \new Staff <<
           \new Voice \relative c {
               \stemUp \clef treble \key c \major \time 4/4
               c2 b c1
               }
           \new Voice \relative c' {
               \stemDown
               fis2 d e1
               }
           >>
       \new Staff <<
           \new Voice \relative c' {
               \stemUp \clef bass \key c \major \time 4/4
               a2 g g1
               }
           \new Voice \relative c {
               \stemDown
               d2_\markup { \translate #'(-3.5 . 0) { "C: V/V" \hspace #0.6 "V" \hspace #5 "I" } }
              g c,1 \bar "||"
               }
           >>
   >> }

</score>

Template:Audio-nohelp 3-11 0 4 7 Major
Secondary leading-tone chord <score lang="lilypond"> {
  1. (set-global-staff-size 16)

\override Score.TimeSignature #'stencil = ##f

     \new PianoStaff <<
       \new Staff <<
           \new Voice \relative c {
               \stemUp \clef treble \key c \major \time 4/4
               a2 g g1
               }
           \new Voice \relative c' {
               \stemDown
               es2 d e1
               }
           >>
       \new Staff <<
           \new Voice \relative c' {
               \stemUp \clef bass \key c \major \time 4/4
               c2 b c1
               }
           \new Voice \relative c {
               \stemDown
               fis2_\markup { \translate #'(-5 . 0) { \concat { "C: vii" \raise #0.6 \small "o7" "/V" \hspace #1 "V" \hspace #4 "I" } } }
              g c,1 \bar "||"
               }
           >>
   >> }

</score>

Template:Audio-nohelp 3-10 0 3 6 Diminished
Secondary supertonic chord <score lang="lilypond"> {
  1. (set-global-staff-size 16)

\override Score.TimeSignature #'stencil = ##f

     \new PianoStaff <<
       \new Staff <<
           \new Voice \relative c {
               \stemUp \clef treble \key c \major \time 4/4
               g2 fis g1
               }
           \new Voice \relative c' {
               \stemDown
               c2 c d1
               }
           >>
       \new Staff <<
           \new Voice \relative c' {
               \stemUp \clef bass \key c \major \time 4/4
               a2 a b1
               }
           \new Voice \relative c {
               \stemDown
               a2_\markup { \translate #'(-4 . 0) { \concat { "C: ii" \raise #0.5 \small "7" "/V" \hspace #1 "V" \raise #1 \small "7" "/V" \hspace #1.5 "V" } } }
              d g1 \bar "||"
               }
           >>
   >> }

</score>

Template:Audio-nohelp 3-11 0 3 7 Minor
Seven six chord[5] <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g a bes>1

} } </score>

Template:Audio-nohelp 5-25 0 4 7 9 t Major
Seventh suspension four chord[6] <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c f g bes>1

} } </score>

Template:Audio-nohelp 4-23 0 5 7 t Suspended
So What chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' { \new PianoStaff <<

 \new Staff { \clef treble \time 4/4 \hide Staff.TimeSignature <d g b>1 } 
 \new Staff { \clef bass \time 4/4 \hide Staff.TimeSignature  <e, a>1 }

>> } } </score>

Template:Audio-nohelp 5-35 0 5 t 3 7 Bitonal
Suspended chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c f g>1

} } </score>

Template:Audio-nohelp 3-9 0 5 7 Suspended
Subdominant <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g>2 <f a c>

} } </score>

Template:Audio-nohelp 3-11 0 4 7 Major
Subdominant parallel <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <f a c>2 <d f a>

} } </score>

Template:Audio-nohelp 3-11 0 3 7 Minor
Submediant <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g>2 <a c e>

} } </score>

Template:Audio-nohelp 3-11 0 3 7 Minor
Subtonic <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g>2 <bes d f>

} } </score>

Template:Audio-nohelp 3-11 0 4 7 Major
Supertonic <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g>2 <d f a>

} } </score>

Template:Audio-nohelp 3-11 0 3 7 Minor
Thirteenth flat ninth chord[2] <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g bes des a'>1

} } </score>

Template:Audio-nohelp 6-27 0 4 7 t 1 x 9[7] Major
Thirteenth flat ninth flat fifth chord[2] <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e ges bes des a'>1

} } </score>

Template:Audio-nohelp 6-z49 0 4 6 t 1 x 9[7] M3+d5
Tonic counter parallel <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g>2 

} } </score>

Template:Audio-nohelp 3-11 0 3 7 Minor
Tonic <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g>1

} } </score>

Template:Audio-nohelp 3-11 0 4 7 Major
Tonic parallel <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c e g>2 <a c e>

} } </score>

Template:Audio-nohelp 3-11 0 3 7 Minor
Tristan chord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f

  \new PianoStaff <<
     \new Staff <<
        \relative c' {
            \clef treble \key c \major \time 4/4
            <dis gis>1
            }
           >>
    \new Staff <<
        \relative c {
            \clef bass \key c \major \time 4/4
            <f b>1
            }
        >>
   >>

} </score>

Template:Audio-nohelp 4-27 0 3 6 t Predominant
Viennese trichord <score lang="lilypond"> {

\override Score.TimeSignature #'stencil = ##f \relative c' {

 \clef treble \time 4/4
 <c des ges>2 <c fis g!>

} } </score>

Template:Audio-nohelp 3-5A 0 1 6
or
0 6 7
Atonal
  1. Pearse, John (1977). The Guitarist's Picture Chord Encyclopedia, p.31. Template:ISBN.
  2. 2.0 2.1 2.2 2.3 2.4 Template:Cite book
  3. Pearse (1977), p.35.
  4. Pearse (1977), p.27.
  5. Pearse (1977), p.34.
  6. Pearse (1977), p.24
  7. 7.0 7.1 x could be either 5, 6, or nothing, depending on the eleventh of the chord.
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